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A INTERVIEW
Queen Victoria's amazing bond !Purnima Sharma
Shrabani Basu
It's an amazing story --
about the beautiful bond
shared between an
Empress -- Queen Victoria
-- and a commoner (to use
a politically incorrect
word), servant rather -- Abdul Karim
-- that has been explored by
Shrabani Basu in her book, "Victoria
and Abdul". It was in 1887, on the
occasion of the monarch's golden
jubilee, that 24-year-old Abdul
arrived from India to wait on
Victoria and present her with a
ceremonial coin. And no sooner
does Victoria set her eyes on him
that their unusual story begins. And
this is also being told in an
eponymous film... How did the book happen? When did you first hear of Abdul Karim and his special bond with Queen Victoria, that strangely has been brushed under the carpet by British historians?
Cover page of Victoria & Abdul
I knew from researching an
earlier book that Queen Victoria
enjoyed curries and that she had
some Indian servants. It was on a
visit to Osborne House, Queen
Victoria's holiday home on the Isle
of Wight, that I saw a portrait of Abdul Karim in the Indian Corridor.
He was painted in rich colours,
wearing red and gold and cream
and holding a book. It struck me
that he had not been painted to look
like a servant. It aroused my
curiosity. Victoria and Abdul Tell us about Abdul Karim and his relationship with the Queen. Any records about how he was treated after her death? It was a relationship that worked at several levels. He was at once a close friend and confidant as well as a son to her. The physical side was also important. Queen Victoria liked a strong, tall man standing by her side, taking care of her and treating her like a woman and not just as the Queen. It was the same with John Brown, her Scottish ghillie who drew her out of isolation after the death of her husband. After Brown's death in 1883, Abdul filled this gap. Do you think they could have been romantically involved? No. It is a far more layered relationship. Abdul was at once her closest friend and confidant. He was also like a son to her. The physical side was also important as, as I said earlier, Victoria liked a tall, strong man by her side and taking care of her. In this respect, he fit the profile of John Brown, her previous companion. When Abdul arrived four years later, Victoria found a new friend in him. You managed to trace his family -- how difficult was that and how did they respond to their famous ancestor? Why were they embarrassed to acknowledge him initially? It took four years to find the family. They contacted me after the first edition was published. They had been embarrassed and ashamed of their ancestor and when they heard I had written his story and found his grave, they contacted me. They then pointed me towards the diary in Karachi. How did you like the celluloid version of your book? I think the film has taken the story of Abdul Karim and Queen Victoria around the world. No one had heard of this story or knew that Queen Victoria learnt Urdu for thirteen years. Now they know. A book is always different from a film. A film has to work for an audience and tell the story in under two hours. It is a feature film, so has creative license. It is shot beautifully and the acting is superb. And people want to know more, so they are buying the book, which is great. Did you meet Dame Judi Dench? And was she a good Queen Victoria? And how about Ali Fazal? Yes, I met Dame Judi Dench before the filming and afterwards. The whole team travelled together for the international premieres and film festivals. She is a wonderful person, very inspiring and warm. She is fabulous as Queen Victoria. Ali Fazal was a great discovery. He's done a superb job and is going to go places. Their chemistry was wonderful and it's great that they have become really good friends. Is it difficult writing about historical characters, recreating a different era altogether? My books are always about historical characters, so I am used to the genre. I love history. Tell us about your forthcoming work... I'm working on it -- all I can say is that it will also be historical. |